碰撞与交汇——第二届全球视野下的中国音乐当代研究国际学术研讨会

　　会议通知

　　（第一号）

　　2019年9月，由教育部人文社会科学重点研究基地万博max手机登录版音乐学研究所联合欧洲中国音乐研究基金会（European Foundation for Chinese Music Research）共同承办的“碰撞与交汇——全球视野下的中国音乐当代研究暨第22届‘磬’国际学术研讨会”，全方位聚焦当代中国传统音乐、音乐创作、音乐传播与交流，收获了诸多富于见地的观点和良好的社会反响，取得了圆满成功。

　　为进一步推动中国音乐文化的发展，促进世界各国尤其是中西方音乐家的沟通与交流，深化对当代中国专业音乐创作与中国音乐文化的认识，共同谋划未来中国音乐创作和音乐文化发展的愿景，万博max手机登录版音乐学研究所将继续与欧洲中国音乐研究基金会合作，定于2021年11月联合举办“碰撞与交汇——第二届全球视野下的中国音乐当代研究国际学术研讨会”。具体事项如下。

　　一、会议时间：2021年11月26日— 28日

　　二、会议地点：北京·万博max手机登录版

　　三、主要议题：

　　1.中国特色作曲技法研究

　　2.中国民族器乐创作研究

　　3.中国当代音乐家与音乐作品研究

　　4.中外音乐传播与文化互融研究

　　5.中国专业音乐创作未来愿景展望

　　四、会议形式:

　　1.现场与网络视频结合，学术报告与研讨结合；参会人员以邀请与报名结合。

　　2.按专题分单元进行，采用主题报告、主旨发言、圆桌会议、多人对话等多种形式；个人发言时间15分钟，每位参会学者可参加两个不同议题的发言。

　　3.所用语言，中、英文均可，但请在摘要上提前注明。

　　4.会议将设置“博士后论坛”及限40岁以下人员参与的“青年论坛”，提供青年学人研讨平台。

　　五、参会报名:

　　参会人员填写《参会信息表》（见附件），于10月15日前提交300字左右的中、英文发言摘要，组委会将组织评议委员会对发言摘要进行评审，遴选参会人员。评审结果于10月25日前在万博max手机登录版音乐学研究所官网公布。

　　联系人：仲晨晨

　　会议邮箱：yyxyjs@roomxcv.com

　　万博max手机登录版音乐学研究所

　　欧洲中国音乐研究基金会

　　2021年8月18日

　　Contrasts and Convergence in Chinese Music - 2nd International Conference on Contemporary Studies of Chinese Music in a Global Perspective

　　Institute of Musicology, Central Conservatory of Music, Beijing, 26–28 November 2021

　　First Call for Papers

　　Following the success of their first joint meeting in September 2019, the Institute of Musicology at the Central Conservatory of Music (CCOM) in Beijing , and CHIME (the European Foundation for Chinese Music Research) will jointly organize a second international conference on the topic of ‘Contrasts and Convergence in Chinese Music’ from 26 to 28 November 2021 at CCOM in Beijing. Due to continuing travel restrictions and health risks related to the Corona pandemic, this meeting will be held partly online, and partly as a physical event, taking place at CCOM in Beijing, but enabling participants currently based in (or carrying out research in) China and participants from abroad to contribute to this event, in situ or via the internet.

　　The conference will focus on realms of modern Chinese composition, and of compositions for Chinese traditional instruments. It takes a wide and comprehensive perspective on the achievements of Chinese contemporary musicians and composers, both at home and abroad, and also aims at exploring current cross-cultural encounters and musical exchange between China and the West.

　　The organizers appreciate to approach the field of Chinese composition from a global perspective, bringing together scholars and musicians from many different backgrounds, with the aim of stimulating new insights, valuable ideas and also succesful future cooperation.

　　The Institute of Musicology at CCOM is an academic key research institute under auspices of the Ministry of Education of China. CHIME is an international platform for researchers of Chinese Music, operating from Europe, but active with meetings and music festivals worldwide. 

　　The first meeting, in Beijing in September 2019 resulted in a formidable array of research papers, and a wonderful line-up of concerts. To further promote the development of Chinese musical culture and facilitate communication and exchange between musicians and scholars from all over the world, we hope to bring together Chinese and Western experts in these realms.

　　We look very much forward to this second installment of the conference on ‘Contrasts and Convergence in Chinese Music’.  We aim at further deepening the understanding of contemporary Chinese professional music creation and of Chinese traditional musical culture and would jointly like to arrive at visions of future developments in these relams.

　　The details of the upcoming meeting are as follows:

　　I. Date: November 26th - 28th, 2021

　　II. Venue: the Central Conservatory of Music, Beijing, China

　　III. Main Topics

　　1. Research on composition techniques with Chinese characteristics.

　　2. Research on Chinese traditional instrumental music composition.

　　3. Research on Chinese contemporary musicians and musical works.

　　4. Research on the dissemination and cultural blending of Chinese and Western music.

　　5. The future path of Chinese professional music composition.

　　IV. Abstract. Researchers and research students of Chinese music are kindly invited to submit an abstract for a 15-minute presentation. The languages accepted in the conference are Chinese and English; you are free to present in English or in Chinese, according to your own preference.  But we kindly ask you to submit an abstract about 300 words in Chinese and in English, and to do so before 15 October.

　　V. Conference Form:

　　In addition to these attachments below in the conference notice, a registration form can also be found on the Chime website. Participation in the conference is free and without charge. If you cannot download the form, you can simply copy the content as shown here below. Please supply all the data requested, and send your registration and abstract c/o Mrs Zhong Chenchen, email: yyxyjs@roomxcv.com, and submit your abstract (c300 words) in Chinese and English before 15 October.

　　The organizers will invite a Programme Committee to evaluate the abstracts and select the participants. The evaluation results will be announced on the webpage of the Institute of Musicology of the Central Conservatory of Music before 25 October.

　　Contact person: Zhong Chenchen

　　Conference Email: yyxyjs@roomxcv.com

　　Institute of Musicology

　　of the Central Conservatory of Music

　　CHIME, European Foundationfor

　　Chinese Music Research

　　18 August, 2021

　 　附件（可长按识别二维码获取）：

　　中文参会信息表

　　英文参会信息表